
The Critique Complex
When you confuse a photography tutorial for a therapy session.
“Critical feedback, or covert emotional unravelling?”
“Big questions, small camera, mild oversharing.”
The Critique Complex is a dialogue-driven side project born out of Chloe’s final year at university — a series of conversations, critiques, disagreements, and spirals held between herself and tutors, visiting academics, and fellow creatives.
This is more than assessment.
It’s discourse.
It’s dialectic.
It’s also occasionally a cry for help, masked as a contact sheet.
Photography becomes the vessel for philosophical interrogation: What is truth? Whose lens defines reality? And can a picture lie as eloquently as a person?
Here, Chloe explores each image like a riddle. Her tutors, unintentionally, become co-authors of the myth — misinterpreting, reinterpreting, and sometimes wildly projecting meaning onto the work. It becomes a kind of academic white rabbit chase: one image, multiple theories, and a mystery that refuses resolution.
This isn’t just about critique.
It’s about understanding the shifting nature of image, intention, and interpretation — and finding personal truth in the space between.
Sections/Posts
Mechanical Gaze & Myth-Making
Discussions around authorship, gaze, subjectivity, and truth. A bit of Berger. A bit of Barthes. A lot of Chloe.
Feedback or Freud?
When critiques become confessions. A record of tutorials that turned strangely personal, useful, or downright existential. As creatives we are all plagued with CONSTANT DOUBT and the occasional serving of Imposter syndrome.
The Image as Dissertation
Series-based work from Chloe’s final year. Each photo becomes a paragraph. Each series, a dissertation of mood and meaning. “If a picture is worth a thousand words, then how many chapters is a portfolio?"
Reference Points & Rabbit Holes
A look at the artists, themes, and theoretical rabbit holes suggested by tutors — the readings I chased, the references I wrestled with, and the ones that stuck. Some were useful. Some led me somewhere better. All of them shaped the path, even when I chose to take a detour.
Intent vs. Interpretation
Disagreements, tangents, and philosophical detours with tutors. One photo. Three opposing readings. None “wrong.”
Notes from the Underdog
Fragments, observations, and counterpoints — Chloe’s perspective on being a student-artist in a shifting academic machine. Feeling lost on your course, use this guide to find your way back.
The Discourse Department(Accidental Therapists)
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Monet Goode
FOUNDER
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Emmett Marsh
DESIGN DIRECTOR
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Eleanor Parks
SUSTAINABILITY DIRECTOR
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Karl Holland
SALES MANAGER
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Jaya Dixon
MARKETING DIRECTOR
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Jamie Kokot
CUSTOMER SERVICE MANAGER
Chloe