I shoot instinctively. Candid. Loose.

Street photography is paradoxical for Chloe — because the very act of capturing public life often demands a kind of boldness that clashes with her social anxiety. It’s not effortless. It’s a quiet experiment in pushing limits. Most of these images were taken with her partner, Callum Joel Richards, beside her — part lookout, part co-witness.

No permission asked. No performance expected. Just moments, honestly stolen.

While tutors and academic frameworks may have encouraged more confrontational or high-risk shots, Chloe’s strongest street work often emerges in the summer — when academic pressure softens, and instinct has more room to breathe. This is a creative space that’s growing, tenderly. Watch it unfold.

Chloe’s relationship with street photography is also part of her wider journey with mental health. Living with generalised anxiety means that what might seem like a casual shot to some — lifting a camera in public, waiting out a moment, facing attention — can carry emotional weight. But she continues to show up. Not every day, and not without fear, but with intention. Her practice becomes a form of quiet resistance — not against the world, but against the urge to retreat. It proves that creativity doesn’t always need confidence; sometimes, it just needs care. Her work reminds us that making art while managing anxiety is not only possible — it’s powerful.